Notice bibliographique
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Type(s) de contenu et mode(s) de consultation : Texte noté. Image fixe : sans médiation
Titre(s) : Urban Australia and post-punk [Texte imprimé] : exploring Dogs in space / David Nichols, Sophie Perillo, editors
Publication : Singapore : Palgrave Macmillan, 2020
Description matérielle : 1 vol. (XVII-338 pages) : ill. ; 22 cm
Note(s) : Includes bibliographical references and index
Richard Lowensteins 1986 masterpiece Dogs in Space was and remains controversial,
divisive, compelling and inspirational. Made less than a decade after the events it
is based on, using many of the people involved in those events as actors, the film
explored Melbournes postpunk counterculture of share houses, drugs and decadence.
Amongst its ensemble cast was Michael Hutchence, one of the biggest music stars of
the period, in his acting debut. This book is a collection of essays exploring the
place, period and legacy of Dogs in Space, by people who were there or who have been
affected by this remarkable film. The writers are musicians, actors and artists and
also academics in heritage, history, urban planning, gender studies, geography, performance
and music. This is an invaluable resource for anyone passionate about Australian film,
society, culture, history, heritage, music and art
Autre(s) auteur(s) : Nichols, David. Éditeur scientifique
Perillo, Sophie. Éditeur scientifique
Sujet(s) : Punk (mouvement) -- Australie
Post-punk -- Australie
Urbanisme et société -- Australie
Indice(s) Dewey :
781.66 (23e éd.) = Rock
Identifiants, prix et caractéristiques : ISBN 9813297026. - ISBN 9789813297029. - ISBN 9789813297012 (erroné) (br.)
Identifiant de la notice : ark:/12148/cb468849196
Notice n° :
FRBNF46884919
(notice reprise d'un réservoir extérieur)
Table des matières : If you were a freak, you were really excluded / / Sam Sejavka ; ; It was filmic /
/ Peter Farnan ; ; I was in-between two worlds / / John Clifforth ; ; The b-side
of a single? An autobiohistoriography / / Stuart Grant ; ; In my mind the world was
safer / / Karen Ansel ; ; Let's go and get in some trub / / Edward Clayton-Jones
; ; Everyone was interchangeable / / Jules Taylor ; ; We're the most fabulous people
Australia has ever known / / Cornelius Delancey ; ; It was never pistols at dawn
/ / Cathy McQuade ; ; Bowie queues / / Bruce Butler ; ; Excerpt from comic book
/ / Jerome Gaynor ; ; Rock star in space / / Zora Simic ; ; The intimacy of distance
: re/reading Dogs in Space / / Laura Carroll ; ; 'Someone's been fucking using this
for meat again' : 18 Berry Street and Melbourne sharehousing in the 1970s and 1980s
/ / Molly McKew and Katherine Ellinghaus ; ; Richmond and 18 Berry Street revisited
/ / James Lesh and David Nichols ; ; 'Making it' : The Ears, INXS, and music scene
restructuring as seen through Dogs in Space / / Sarah Taylor ; ; The strange life
of 'Shivers' and its place in Dogs in Space / / Lisa MacKinney ; ; 'The fucked room'
: situating the Dogs in Space soundtrack and 'Rooms for the memory' in the diffusion
of the Dogs in Space story / / David Nichols ; ; Say clitoris : queers in space /
/ Simona Castricum ; ; Fun house : DIY house venues and the Melbourne Underground
/ / Carolyn Hawkins ; ; Finding 'Places to be bad' in social media : the case of
TikTok / / Sorcha Avalon Mackenzie and David Nichols ; ; Coda : 'What it feels like
when a subculture appears' - Richard Lowenstein interview, 2009 / / Trevor Black.
